This article describes an experiment where onne of the world’s top violinists plays for change in a subway station. The purpose is to determine if people recognize the quality of the performance out of context (spoiler: for the most part, no) but there is some interesting discussion of what this says about the current tempo of our lives and the ways in which we appreciate art. It would be really interesting to do the same experiment at the end of the day when the context is still the same but people are under less of a strict schedule, in general.